Thursday night I was returning from a little art showing in Mayfair, where Laura was displaying one of her commissioned pieces. I as per usual brought my camera. I definitely think this blog thing has helped me to focus and I got some killer event shots.
Anyway I digress, I was walking up the tube platform with the umpteen million people squeezing themselves through the doors and barging past each other like the Gap was going to chase them down and eat their brains. I stopped, like the git I am, to do up my boot lace. I can hear the muffled moans as the Gap catches up with these people and their dispare that my inconsiderate bootlace has caused them.
After the bootlace is sorted and I can safely perambulate without tripping over and really encountering that dreaded Gap people are so fearful of, I look around me. The platform was deserted, apart from one man who was just waiting, but what for I don't know because I was on that platform for 3 more trains after my one passed and he didn't get on any of them. Digressing again...
Like any good photographer in this situation I decided to get as close to the big DO NOT CROSS FOR DANGER OF DEATH sign and lay down on the floor to wait for the next train, resting the camera on this little diddy table tripod I had in my pocket.
Zoooooooommmm.
Having the camera stable on the floor allowed me to have a long exposure speed of about a second, meaning I could capture the motion of the train zipping past me whilst the rest of the shot stayed in crisp focus. On top of this laying on the floor gave me an angle which is not seen often by the casual observer adding interest to the piece. You can try this yourself on pretty much anything, look at pictures of flowers. Who many good ones can you see taken from the top down, you'll see they're all take from the side or from down below, because it presents a familiar object in an unfamiliar way.
I've been playing around with creative borders in my pictures also.... I love borders and vignettes. Have you noticed that yet?
Talk soon.
Gordon